That Girl With A Blog

You know, it’s hard to blog about music when you’re constantly bombarded by mediocre crap. Seriously. I’ve gone so long without blogging because there simply hasn’t been anything good to blog about. Where’d all the good music go!?

Case in point: Albums like Owl City’s new catastrophe, All Things Bright and Beautiful. It’s a ninth-grade notebook full of terrible, emo, poems, autotuned and overproduced. This is the kind of stuff that emo kids get made fun of for. What’s more than that, is that it tries to sound like Adam Young’s previous efforts, but falls decidedly short. At least Ocean Eyes had “Hello Seattle” and “Fireflies” (…and “Umbrella Beach” and “Saltwater Room”. Half of that album actually wasn’t too terrible). There is no definitive “hit” on this album, and while that’s not necessarily always a bad thing, in this case, it just means that you get 13 sub-par songs that all sound exactly the same.

I hate to say it (okay, maybe that’s a lie), but I think I was right with that whole “15 minutes of fame” deal. While a generally uninspired album as a whole, the song “Honey and the Bee”, in particular, makes me want to stick pens through my ears and directly into my brain. Breanne Duren’s voice in combination with the copious amount of autotune seriously gave me an instant headache. I hate that song so much, it seriously makes me physically ill. It also doesn’t help that it’s followed by “Kamikaze”, a track that almost sounds like Young trying to remix The Offspring. Yeah, it’s totally as awkward as it sounds.

Between the nausea, the headache, and the brain cell loss, this is about where I gave up on the album. The end of the album may be good, I doubt it, but I will never know. This album gets a big, fat, F. I don’t even know how anyone let this go to production.

I’m gonna go put Fitz and the Tantrums back on, take some Ibuprofen, and try to forget that this album even exists. 😦

Owl City – “Honey and the Bee”


Owl City LivePostal Service Live







The time has come for the…wow, what the fuck would you even call this? Emo/Electronica Faceoff? So, one of these albums is far, far older than the other, but with all the recent comparison, I thought this faceoff would be appropriate. Owl City vs. The Postal Service. Minnesota vs. Washington. (That doesn’t sound nearly as exciting as Paris vs. Chicago, but we’ll work with it.)

Postal Service - Give UpLet’s start off with The Postal Service. They’re older, they get first dibs.

Even though this album came out in 2003, it’s still in heavy rotation for fans of this emo/EDM subculture and I really have to hand it to these guys…they brought EDM back to the mainstream. Back to radio and MTV. The collective works of electronic artist Jimmy Tamborello and Death Cab For Cutie frontman, Ben Gibbard, Give Up was and is really a revolutionary album for music. Combining elements of 80’s New Wave with futuristic intent makes this album something else entirely. It’s no wonder why their debut album at a total of ten tracks has three major hits including “The District Sleeps Alone Tonight”, “Such Great Heights”, and “We Will Become Silhouettes”. There is talk of a second album for these guys, but they admit it won’t be released any time during this decade. C’mon, they both have other projects. It really seems like this album was just some sort of…accident. A really, really well received accident. The Postal Service has this delightful mix of downtempo and upbeat tracks, but they have such a great buildup. Like the video below for “The District Sleeps Alone Tonight”…starts off incredibly slow and quiet and before you know it you’re bobbing and singing along. And obviously, Ben Gibbard’s voice is simply heavenly. Dear god. And I love the backing vocals of Jenny Lewis and Jen Wood on this album (Mike Doughty would have a field day with that one). They add meaningful, relevant lyrics to electronic music. No longer is it all about ecstasy and bright lights. It can be about something more and here is some solid proof.

The Postal Service – “The District Sleeps Alone Tonight”

Owl City - Ocean EyesOnto Owl City. With three albums in the last four years, Adam Young (no relation, I promise) has certainly taken that previously mentioned emo/EDM subculture by force. He’s already peaked to #1 on the Billboard Top 100 with his massive hit “Fireflies”. Owl City’s got a far more upbeat sound. I mean, shit, it gets up to borderline happy hardcore/gabber on a few tracks there. While still influenced by 80’s synthpop, Owl City also delves into parts of disco, J-Pop, and early European EDM. After releasing two independent, unsigned albums, Owl City finally hit it big with Ocean Eyes, released in July. Young’s lyrics are a little…juvenile…from time to time though. There’s really not a whole lot of substance. He likes talking about the ocean (PUGET SOUND, holla!) and sea creatures (and apparently oral hygiene), which is cool, but it doesn’t quite fill and entire album. Check him out.

Owl City – “Hello Seattle”

Where you can really see the difference between the two is live performance. I really dug Owl City (and still do enjoy the album) until I heard him without all that vocal distortion.

Owl City – Fireflies (Live)

See? He sounds like he’s thirteen. It’s amazing what all those electronics can really do to a voice. On the other hand, the guy uses KORG, so I gotta show some respect for that.

But then, you have The Postal Service’s Ben Gibbard performing live…

Ben Gibbard – “We Will Become Silhouettes” (Live)

The Postal Service FTW!I think Owl City will have their fifteen minutes of fame and perhaps a cult following of thirteen year old girls from what I’ve seen around these intertubes, but The Postal Service has real staying power. (See: Death Cab For Cutie.) Ben Gibbard sure knows what he’s doing. I mean, if Adam Young gets a little more substance, he may have a fighting chance, but I think it’s safe to say that he’s lost this battle. If he steps it up, he may win the war.

Not Owl City, but it’s driving me crazy that OWL’s first single is “Modern Eyes”. Owl City, Ocean Eyes. Come on now. Thankfully, OWL is good enough to make me look past that. From their Myspace:

Originally starting as a bedroom recording project between Vanessa Murnaghan and Matthew Macdonald (The Superfantastics) in August 2008, Owl quickly made their way across internet music blogs, into rotation at indie dance nights, and onto the stage.
With Matthew’s electronic arrangements that evoke equal amounts of MGMT and The Postal Service, combined with Vanessa’s warm melodies and laid back delivery, Owl will make you want to cuddle in a warm blanket with some hot chocolate.

Owl will make you want to dance in the middle of the street with your best friend during an Atlantic Canadian snowstorm.

Owl will make you want to throw a surprise party for a complete stranger.

Owl will make you want to bake a batch of cookies, but then eat all of the dough before the oven is heated to the proper temperature.

Owl will then tuck you in to bed because your tummy hurts, and apologize for the cookie dough incident.

I find this to be true. I want to do all of those things, especially the cookie dough one. They’re another one in a long list of bands that I’ve been hooked on lately and I’m beginning to see a pattern here. Bitter:Sweet, The Bird and the Bee, Jem, Owl City and the Postal Service. I love electronic indie-pop bands. I just can’t help myself. They were the natural progression of emo, and we all know I’m a giant emo kid. Okay, maybe you didn’t know that, but you know it now.

The duo from Halifax, Nova Scotia have released their first EP, Chants (The Vibrations in the Streets Keep Me Weak in the Knees) and you can download it for absolutely free here. I love free things! So should you! Charmingly sweet vocals and catchy melodies are keeping this album on repeat for me. MacDonald creates a soothing, aquatic quality while Murnaghan’s soft voice carries that melody along and gets it embedded directly in your brain parts. I’ve had “Morning Eyes” stuck in my head for two days now, only with small breaks for “Sandi with an I’s Song” and “Airport”.

Seriously, guys, what do you have to lose? The album’s free, and even if you don’t want to download it, it’s available on their Myspace. Take a minute and check out OWL, they’re certainly worth the time. B!

{February 17, 2010}   Go Periscope – Self Titled

A year and a half after production began, Go Periscope has officially released their first, self-titled album! Hooray!

This album seems to begin with the songs that they’ve been pushing for months on all of their sites (see: previous blog) including “Crush Me”, “Breathe Deception”, “No Chaser” and Emily”, but dives into some totally new tracks. At least for the masses.

Even since I first covered them in November, the Seattle duo has spread like the herpes virus, popping up on Top Spot USA‘s list of breaking artists, MTV’s The Real World, and Oxygen’s The Bad Girls Club, all the while still rocking radio stations like Fusion Radio Chicago and C89.5 Seattle. Keep in mind that all this action is occurring around their first, self-released album. Imagine what’s going to happen when these guys get signed. It’s bands like Go Periscope that make me appreciate the fact that I don’t listen to the radio. I don’t want to get sick of them, and they’re an incredibly marketable band. Look at Owl City. I would hate Owl City if I listened to the radio. David Guetta, too! I don’t blame the artists, I blame the radio stations for not playing more than four tracks on a regular basis.

Anyway, back to the album. This is a solid freshman effort, especially for being self-released. It sounds spectacular. The only qualm I have about it is the song order. They put the majority of songs that they’ve pre-released at the beginning, leaving the new tracks at the end. What’s going to happen is that everyone who has been listening to them for the past few months are going to listen to the first few tracks, then begin the album over again. If you hadn’t listened to them in advance, this probably wouldn’t happen. I’m just hoping people listen to this album all the way through because it’s really quite good.

It’s got all the pumps, thumps, and grunts needed on the dance floor, infectious beats, just enough sex appeal without being raunchy, not to mention two adorable guys. These guys have really just…got it. I love this wave of new electronic and electronically inspired artists coming out these days! Go Periscope is on the forefront of something huge, so check ’em out! You can find their album on Amazon and iTunes right now! B!

{November 5, 2009}   The Shins – “Australia”

Today readers, for your aural and visual pleasure, I present to you…

The Shins

I absolutely love this song…and this video from Blogotheque. I believe that this is the first time I have actually seen The Shins and quite frankly, they look nothing like I thought they would. James Mercer has one hell of a beard. I don’t know…in my mind he was a clean cut little kid in a leisure suit. It just kinda blows my mind.

Anyway, I do love this video and the artsy-fartsy quality to it. Sorry for the short post today, but I promise I have lots more, musically related things coming your way including Owl City, The Postal Service (could there be another faceoff?!), and Jack’s Mannequin. God I’m an emo bastard.

*le sigh* I just don’t think I’m hip enough to like The Fleet Foxes. I got their EP, Sun Giant, and their first full length, self-titled album back in ’08 on the recommendation of a friend and didn’t really “get it” then, and I certainly don’t “get it” now with their sophomore album and newest release, Helplessness Blues.

From what I’m gathering, people are considering this album a masterpiece of sorts and I’m not sure why, really. Perhaps it’s the “cool” thing to do. Frankly, I don’t find wasting $60,000 dollars on studio time, then scrapping it because it wasn’t imperfect enough a reasonable thing to do.

From the Wikipedia:

“They got together to rehearse new songs in February 2009 in a rented house outside Seattle, but the sessions were mostly scrapped. As a result of those wasted sessions, the band lost $60,000 of their own money.”

Then, from a late 2009 interview with The Guardian:

”I want the recording to be really fast. I want to do all the vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. [Van Morrison’s] Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling.”

Doesn’t really make sense does it? Robin Pecknold lost SIXTY GRAND of his own money, his girlfriend (apparently when she heard the “brilliance” of the album, they reconciled), and apparently pissed off a lot of other people just to make this album, which I think is just a little bit ridiculous, especially the girlfriend part. Seriously, she leaves you while you’re completely invested in making this album, but now that she sees that you’ve hit the gravy train, she’s back on board? In the words of Dan Savage, “DTMFA”.

Anyway, as for the album, it’s pretty boring, actually. In comparison to their relatively sunny debut album, I guess this is supposed to be “deeper”, but it just comes across as melodramatic and self-indulgent.

I mean, check out the press release:

“Hey, my name’s Robin and I’m a singer in and songwriter for Fleet Foxes, here to write the promotional biography meant to accompany and explain Helplessness Blues. I’m just going to write down some thoughts I have about the album and give you some context. Let’s do this.

So, for a bit of background: we’re from Seattle, and the members of the band are me, Skye Skjelset, Josh Tillman, Casey Wescott, Christian Wargo, and now our buddy Morgan Henderson, who helped out on the album and will join the band on tour. The band began as just me and Skye in Junior High, playing songs in his bedroom, until we moved to Seattle, settled on a name, and began meeting other musicians and playing with different people until we met all the guys currently on board. Casey joined in 2005, Christian in 2007, and Josh joined shortly before our first album was released, but after we’d recorded it. So, that’s some background information. Good luck working that into something intriguing.
We released our first album in 2008, had a lot of unexpected support from people and the press and we ended up on tour until October of 2009 (we’d expected to do one or two U.S. tours and hoped to start our next album in the Fall of 2008!)

Recording started with demos at a building in Seattle that’s been multiple recording studios since the ‘70s, from Triangle, to Jon & Stu’s, to Reciprocal Recording, to the Hall of Justice. A number of incredible albums have been made in that building over the years, including Bleach by Nirvana. So we were lucky enough to take over the lease when Death Cab for Cutie moved out in October 2009, and I started writing songs more seriously again. A couple months later, Joanna Newsom asked me if I would open some shows for her. As a huge fan of hers, I was completely honored and flattered that she’d want me to open her shows, and I felt like I needed some new songs that I could play alone. So, a number of the songs that ended up on this album came from the writing that preceded those tours. Having to play the songs alone meant I was really focusing on having a clear lyric and a strong melody, which ended up being a great change of focus for me as a writer because I’d spent a lot of 2009 messing around with non-songwriter type music and not always finding it satisfying.

After the first Newsom tour, we all went up to Woodstock, New York, to record at Dreamland Recording, where our friends in Beach House had had a good experience recording their last album Teen Dream. We were there for twelve days recording the drums and acoustic guitars. As an aside, I think Josh did an incredible job on the drums on this record, writing really inventive parts without a lot of instruction, and having such good tempo and “feel” that we were able to record all but one song on the album without a click track.

From there began a long stretch of recording in Seattle, from May of 2010 to November of 2010, where a ton of shit happened at numerous studios including Reciprocal, Bear Creek, and Avast. I could get into it, but basically it took a long time due to illness, scheduling, creative doubt, reassessment, rewriting, new songs being written, etc., etc ., etc. It was at times difficult to make this record. We ended up mixing at Avast in Seattle in December of 2010, with the record finally finished, even though we were recording vocals and guitar and rewriting lyrics up to the 11th hour. Not even the 11th, more like the 13th. So here we are, almost three years after the first album, finally done with the second one. Now I’ll talk about the actual music a little bit.

I think this music draws influence and inspiration from popular music and folk rock of the mid ‘60s to the early ’70s, folks like Peter Paul & Mary, John Jacob Niles, Bob Dylan, The Byrds, Neil Young, CSN, Judee Sill, Ennio Morricone, West Coast Pop Art Experimental Band, The Zombies, SMiLE-era Brian Wilson, Roy Harper, Van Morrison, John Fahey, Robbie Basho, The Trees Community, Duncan Browne, the Electric Prunes, Trees, Pete Seeger, and Sagittarius, among many others. I’d say it’s a synthesis of folk rock, traditional folk, & psychedelic pop, with an emphasis on group vocal harmonies. Astral Weeks was a big inspiration on this album, if not always in sound then in approach. The raw emotion in Van Morrison’s vocals and the trance-like nature of the arrangements were very inspiring for this album!

Musically it leans on country music a little bit more, in the slide guitar of songs like “Grown Ocean” and “Bedouin Dress” or “Helplessness Blues.” We used a number of new instruments including the 12-string guitar, the hammered dulcimer, zither, upright bass, wood flute, tympani, Moog synthesizer, the tamboura, the fiddle, the marxophone, clarinet, the music box, pedal steel guitar, lap steel guitar, Tibetan singing bowls, vibraphone, along with more traditional band instrumentation.

OK! I think that covers most of it. The last thing I’ll talk about is the title. It’s called Helplessness Blues for a number of reasons. One, it’s kind of a funny title. Secondly, one of the prevailing themes of the album is the struggle between who you are and who you want to be or who you want to end up, and how sometimes you are the only thing getting in the way of that. That idea shows up in a number of the songs.

Thanks for reading and I hope you enjoy the record!

That’s not a press release, that’s a novel. Instrumentally, I guess it’s impressive. Lyrically, it’s okay, too. There’s just something about the way that they put it all together that makes me cringe a little bit when I listen to it. From what I hear, it’s a “grower”, but I don’t know if I can bring myself to listen to it anymore. On the plus side, the cover art is neat and the one track, “Sim Sala Bim” isn’t entirely terrible. For the most part, the album is just pretentious, and I just can’t deal with pretentious. It gets a big ol’ “meh” from me. D

You can make your own, informed decision and check it out for yourself. You can also check out more news at their site (where you can also listen to the album), Myspace, Facebook, and Twitter (Robin Pecknold deleted his personal account…guess Twitter’s too mainstream now).

“Sim Sala Bim”

{May 3, 2010}   Jem

Not the one with The Holograms, this is a new one. Not saying that a new Jem and The Holograms album wouldn’t be amazingly fucking awesome, but with today’s music market, they’d probably have Miley Cyrus as Jem and then I would have to stab my eyes out. Yeah, this one’s cooler than any other Jem that could possibly happen in this day and age. But I digress…The Welsh-born vocalist has been making waves since 2002, but she’s another one who’s slipped under my radar (and another good recommendation from Pandora).

Jem combines rock, new wave, electronica and trip-hop, and indie into a great blend and two albums, Finally Woken and Down to Earth. She’s written for Madonna, worked with Mos Def and Talib Kweli, and she’s another one of these artists that you find in every little nook and cranny of television and film including Sex and the City, Eragon, Damages, The O.C., Desperate Housewives, Wonderfalls, 90210, Six Feet Under, Crossing Jordan, Grey’s Anatomy, and Medium.

Sometimes Jem rocks it hard and sometimes she just misses the mark. Like my husband said yesterday, “She’s not bad, but there’s so many people who do it…better”. He’s right. There’s some super awesome tracks on these though, and she’s still relatively new! Give her some time and I think she might be a force to reckon with in the slowly declining world of trip-hop.

Some of the better tracks to check out include “Crazy” and “Always Knew” from Finally Woken and “They” and “Come On Closer” from Down to Earth. She has a new album due out sometime this year and I’m pretty pumped. She’s got a long way to go, but miles of open road ahead. Check her out over on her Myspace.

“Come On Closer”

But just for fun…have this Jem, too.

Fuck yes. That’s one way to start off a Monday.

On Saturday, May 15, 2010 at 12:00pm, a protest will be held all over the world with a division here in Pittsburgh, PA to raise awareness about Seaquarium Orca, Lolita.  Over thirty different cities and countries have signed up to be part of the massive collaboration to show the Miami Seaquarium along with other marine mammal parks and the world that Orcas do not belong in captivity.  One of our protests held on October 11, 2008 generated national media attention for the Orca when a four-minute segment was aired on CNN Headline news.  In collaboration with Orca Network, I invite fellow Pittsburgh residents and media to come out and support this cause. We hope to see Lolita retired back into a sea pen in her native Pacific North West waters where she will be taken care of for the rest of her life unless she chooses to rejoin her pod that lives there as well.

She has been living in an illegal tank at the Seaquarium for the last 39 years, and has taken a backseat to the newly developed swim with the dolphins program. This backseat has raised controversy as to why she shouldn’t be retired, because the Seaquarium is not allowed and won’t build her a bigger tank.  Surrounding the controversy with the rising number of orca attacks at Sea World, she could be the first of a new generation of orcas being retired back to their natural habitat

If retired she will initially reside in a generously sized “bay-pen” where she will be fed, taken care of and slowly reintroduced back into the wild. After rehabilitation it will be her choice to continue to live in the “bay-pen” or leave to rejoin her pod.

In 1970 Lolita was captured in Penn Cove. Since then, much controversy has surrounded the safety of the Seaquraium’s actions with their animals. Hugo, an Orca captured two years earlier from the same pod as Lolita, committed suicide at the Seaquarium in 1980 by bashing his head off of the illegal tank; after showing strong signs of depression. Many have offered more than what Lolita’s insurance policy is worth for her retirement, but Owner Arthur Hertz of The Seaquarium has yet to agree. The concern is from coast to coast on an animal that has done her time in living quarters to small, and arguably unsafe conditions for patrons to view in this dated arena.

Please come out to support this wonderful cause on Saturday May 15, 2010 at Point State Park in Pittsburgh, PA. Feel free to use the comment space below for any questions, directions, or offers for help! Also, if you plan on coming, please let me know. I’m trying to get a sort of pre-registration plan together. Help us get a good turnout and you’ll be on the news and possibly even a spot on Current TV! Anyone can help! We’re looking for photographers, videographers, face painters, and creative people to help make t-shirts and signs. Also, we need a bull horn! It’s just not a protest without a bull horn!

Come on down for Lolita! Kids are welcome, too! Actually, if we get enough, expect some face painting!

You can email me at for more information. You can also email Shelby Proie at and find more information at or

You can also pre-register at the Facebook Event or the Myspace Event. Feel free to friend me on both!

Also, here’s a list of city captains. If your city isn’t listed or you need contact information for your city leader, contact Shelby at Save Lolita!

Chicago: Niki Gianni
Miami: Shelby Proie
NE Florida: Venus Hurst
Whidbey Island, WA: Howard and Susan
Olympia, WA: Pat Rasmussen
Vancouver: Rachel Palmer
Denver: Lauren Kimball
Berkeley, CA: Wendy
Amsterdam: Ingrid van Dam
Pittsburgh, PA: Amanda Young
Whakatane, New Zealand: Emily
Toledo, Ohio: Amber
Philadelphia, PA: Shannon
San Diego, CA: Hailey
Stockholm, Sweden: Ewakajsa Werngren
San Fransico, CA: Kim Flaherty
Toronto, Canada: Bob Timmons
Vancouver Island: Tarah Millen
Glen Falls, New York: Jessica Ryle
Belgian: Noortje
Budapest, Hungary: Tatiana
Orchard Park, New York: Kimberly
St. Lois, Missouri: Sarah Garvin
Key West: Kathy Watkins & Gina Gaft
Portland, Oregon: Rae Wilson
Michigan: Bailey Hanson
Minneapolis, Minnesota: Christine Swedell
Melbourne, Australia: Gwen Williams
Indianapolis, Indian: Leighann Shropshire
Seattle, Washington: Diana Comstock
Houston, Texas: Amanda and Brian
Sarasota, Florida: Candace Gee

Wright's BoardWell, this blog is certainly shaping up to be a random mix of things…cartoons, TV, music, theater, rants…and restaurants?

I am no food critic, but when I receive appalling service, as I did at Wright’s Seafood Inn on Tuesday night, I have to share.

Let’s start from the beginning. We have been there twice before, once for an early dinner with a friend and once for lunch with another couple. The first time was the early dinner and that time we did have great service, tried a bunch of beers on the list (mmmm Lindeman’s!), hung out and genuinely had a good time. I got a delicious fish sandwich and we shared an appetizer platter. I do remember that the spring rolls were delicious, if not a little small. Our waitress was very, very nice and quite knowledgeable about the beer selection.

The second time, we went for lunch. Service was a little slow, but not all that terrible. Drinks were filled in a moderate amount of time and I believe we all got salads. They were nicely portioned, if a little pricey. Also, they played Underworld and other various trip- hop. That’s okay with me. Our waiter, quite frankly, seemed like a dick, but he got our food out and our drinks filled. That’s all I can ask for.

Wright's DeckDinner. Just say NO! This time, we went with a friend to celebrate his birthday. Once again, I’m sorry, Casey! We get to the restaurant at around 7pm, right before the dinner “rush”. Whatever rush there may be on a Tuesday. I ask to be seated outside, since you can smoke out there. Instead of at least giving us the option of the deck or the sandbar, they lead us directly to the deck. That’s fine. I’ve been in the service industry, I understand that you need to rotate sections, but it would have been nice to have the option! In fact, a few of the tables that were seated on the deck with us, requested to be moved to the sand bar, and were.

So the hostess seats us and gives us menus. Awesome. Then the waitress comes over about 10 minutes later to take our drink order…Adam get’s a Young’s Chocolate Stout, Casey gets a Dewar’s on the rocks, and I get a Magner’s. Nothing fancy. Nothing that even needs mixed for christ’s sakes, as well as an order of calamari to get started with. I don’t eat calamari, but it did seem that Adam and Casey enjoyed it.

So 45 minutes later, with our empty glasses and appetizer plates, our waitress finally decides to come back to take our order. How delightful! I’m so glad she was able to take time out of her busy schedule of chatting with the other waitresses and fixing her hair to take our order! So I order a bacon cheeseburger, well done, no tomato. Not so bad, right? Adam gets the peppered tuna, and Casey get’s the Mahi Mahi.

Wright's FoodI am a huge fan of the well done burger. I want a burnt, ashy, hockey puck on a bun. I am well aware that it takes some extra time to burn the fuck out of my burger, so I don’t mind waiting a little longer. Usually, I even apologize to my dining companions in advance.

So about another 40 minutes later, our food comes. Adam’s tuna is the smallest portion of tuna I have ever seen in my life, especially for being listed in the entree section of the menu, not the appetizer section. It would have been small for an appetizer! It was five or six pieces of tuna about 1.5″ x 1″, and came with no side dishes. Absolutely not worth the money spent on it. On the plus side, Adam said it was truly delicious.

Order #1 that they screwed up: Casey’s Mahi Mahi. He said it was far too dry, and they served it with cumin rice instead of pineapple rice. At least the vegetables looked good? His portion was rather small, once again, especially for the price.

Order #2 that they screwed up: My fucking burger. Really? You really fucked up a BURGER? I got the Inn Burger, which is cheese, bacon, onions, tomato (which I asked for none of) lettuce, and pickles. MMMM yummy! What do I get? Cheese and lettuce. Cheese and fucking lettuce on my bun. I have two problems with this: #1, obviously, the kitchen fucked up. #2, not only did the kitchen fuck up, but the waitress also should have checked the order.

So I sit there for another 15 minutes, at least munching on some fries until the waitress comes back to check on us and I’m able to tell her about this issue. She takes it back, they fix it, she brings it back. All is good in the land of dining. I will admit, it was a good burger. The fries were good too, but it just wasn’t worth the time, effort, and frustration of this whole experience.

Wright's Food 2Then, the waitress comes back and we ask about desserts. She raves about this famously succulent cheesecake! I love cheesecake! So do Adam and Casey! Great choice, right? Wrong again!

I have had similar out of the freezer section of the supermarket. It was actually pretty dry, too sweet, not tart at all, and had a plain, graham cracker crust. On the plus side, it was a huge slice. Casey, Adam, and I had trouble splitting the thing.

On top of all of this was the sad state of the patio. Where we were sitting, lucky Adam got the spring board seat! W00!!! There was a plank of the deck that had warped and become a loaded spring board right under Adam’s seat. What bouncy fun! Also, (poor Adam) the cardboard underneath of the table was taped on, poorly, so the tape gives way and Adam spends the entire meal with cardboard on his lap. Charming, huh?

I believe this was a case of a terrible waitress and a confused kitchen. More so, the terrible waitress. The other tables around us, who were seated after us, all had their food before we did, full drinks, and smiles on their faces. At least someone was getting friendly and prompt service.

In our TWO HOUR dinner, Adam had two drinks, I had three, and I believe Casey had three. Not that we wouldn’t have drunk more, but we weren’t given the option! Anyone who has served in a restaurant with a bar know, the more people drink, the higher their tab is, and the bigger tip YOU get! Our waitress simply didn’t get that apparently.

It’s really a shame, they have a gorgeous facility! The deck is filled with lush ferns and now they have the newly added sand bar. Even the interior is pretty decadent. They have a sultry cigar bar and a lush dining room. When you come in there’s a warm, tiled entry way with the hostess’ station. This place has so much potential, but they really need to work on their staff and service!

I can’t see us going there again. It seems like every time we go back, it gets worse. DO NOT WANT!

et cetera
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