That Girl With A Blog











Well, Mikey Shanley is back at it again! If you’re not familiar with Shanley, he’s the coast-to-coast Golden Child of house music. Seriously, from Key West to Toronto, Pittsburgh to Seattle, he’s rocked the entire damn continent. (For more info, just go check out his damn site  already and get it over with. And while you’re there, you might as well check out his free, monthly podcasts as well.)

Make sure to check out his latest track, “Vampires Unite”. It’s available on iTunes, Amazon, as well as a few other vendors (ihearmusic, Spotify, and eMusic), but if you buy it before August 13, 2011 on Amazon, you’ll get six months of Rolling Stone for ONE DOLLAR. So seriously, you’re getting 6 months of a magazine and an MP3 for a grand, whopping total of $1.89. In times like these, what better way to get your music fix? Now, I did buy mine while I was logged into my Amazon account and got an email with the offer a few days later. It’s not an immediate thing, but you’ll get a code and a link in your email and you can take it from there.

As for the track itself, it’s certainly out of Shanley’s usual realm of bumpin’ house tracks and even the early days of hardcore. Delightfully creepy, it’s mere inches on the correct side of that fine line between industrial inspired, dark wave electronic and campy, Halloween music that you find on 99¢ CDs at the Halloween stores in the fall. We also get a little taste of Shanley himself on the vocals (oops! Am I supposed to tell you that!?) which brings me way back to the good ol’ days when he still fronted local bands and before the infatuation with electronic music even began.

It’s not just Halloween appropriate though… It’s ear candy to all deep and tech house aficionados and even trance fans alike. It’s got a hypnotic, down-tempo groove with a deep, dark side that lingers right there. Ready to jump out and get you at any given moment.

In the meantime, check this shit out from Ultraviolet in Pittsburgh back in June. If you ever doubt Shanley’s capabilities, keep in mind that it was about 110° in that tiny, tiny little club, and he still manages to rock the fuck out. (Sorry for the sound, guess you’re just gonna have to go download the track for better quality!)

Mikey Shanley @ Ultraviolet 6/18/11



One of my personal faves from last year.

In case you forgot about my insatiable love for pinball (or Mike Budai, or Brian Holderman, for that matter), well…I love it.

Usually sometime around my birthday, PAPA comes to town. This ends up with me playing pinball and drinking margaritas. Two of my favorite things in life. Well, this year, my birthday comes a little early with Insert Coin to Play: Pinball Life at Wildcard in Pittsburgh. Starting this Friday, it’s a great way to kick off the summer pinball season here in the ‘Burgh. Check it out:

Announcing their presence with an explosion of sound, lights, and design, pinball machines are a unique part of pop culture that combine gaming, skill, and art into one colorful package. To celebrate the machine’s presence as both art and an inspiration to artists, Wildcard is proud to present Insert Coin to Play: Pinball Life from July 15 to August 21.

Pinball Life is timed to coincide with the Professional & Amateur Pinball Association (PAPA) World Championships (August 11-14), held each year in Scott Township. This group show includes original work from local and national artists and also features vintage backplates of old games (on loan from PAPA).

In addition to the vintage pinball machines at Wildcard and a third on loan, Pinball Life includes the debut of the new Lawrenceville-themed pinball machine, featuring art by local artist Andy Scott. In addition, Wildcard will be hosting its annual Wildcard Pinball Classic on Friday, July 22. The competition will feature four tournaments on four separate machines, as well as a playoff
for a grand prize. Free to enter. In addition, 50% of the proceeds from the show and tournament will go to local bicycle advocacy group Bike Pittsburgh (www.bike-pgh.org/).

A complete list of artists follows:
– Dan Burfield works with sculptural and metal elements (www.notionpotion.com)
– Andy Scott draws and paints on different mediums (www.aplace-forall.blogspot.com)
– Cryss Stephens photographs pinball machines in extreme close-ups
(www.csstriker.deviantart.com)
– Elizabeth Klevens creates pieces out of metal and glass (www.elizabethklevens.com)
– Doug Cooper uses charcoal and other paints to create murals and video pieces
(www.andrew.cmu.edu/user/dcooper/)
– Brian Holderman is an illustrator/artist whose custom pinball machine appeared in the
Funland exhibit at the Warhol (www.bholderman.com)
– Rafael Colon uses sneakers and skateboards as his artistic medium (www.brolicdesigns.com)
– Mike Budai’s illustrations appeared on a custom pinball machine in the Funland exhibit at the
Warhol (www.crayondracula.blogspot.com)

Insert Coin to Play: Pinball Life runs from Friday, July 15 through Sunday, August 21.

I know what Iiiiiiiiii’ll be doing Friday night! And for the next month! Hooray for pinball season!



Wow. When I first heard their new album, Speed of Darkness, I originally thought that the Celtic punk troupe, Flogging Molly, had found themselves a new singer for a few of the tracks. Apparently that really IS Dave King. I don’t know what to think about that, actually.

Let me start with a little background of Flogging Molly and I. We go way back. I first got into them with their debut album, Swagger, back in 2000. Once I heard that album, I was hooked. I’ve seen them somewhere around 30 times, now, and I’ve seen them at their best and at their worst. The particular show that comes to mind, the vast majority of the band had terrible food poisoning. George Schwindt straight up passed out and fell off of his drum set, Bridget Regan even had to take a break, but the plus side to all of this is Dave King coming out at the very end, sick as a dog himself, and doing “Grace of God Go I” a capella. Seriously, probably one of the best shows I’ve seen, considering the circumstances. At their shows, I’ve laughed, I’ve cried, I’ve been bitten, I’ve had Tony Duggins’ (The Tossers, and seriously, I’m going to go home and track down some of these pictures! Pics or it didn’t happen, right?) tongue in my ear, I’ve met (ex) boyfriends, and generally had a pretty awesome time all around. They hold a very special place in my heart…a place usually reserved for fist fights and whiskey, but I guess they kind of go hand in hand.

Speaking of Dave King and Bridget Regan (the fiddle player), I found out today that they got married in Tokyo while touring for Float. And now they live in Detroit. Pretty awesome, akshually.

As for the album, I think it’s mostly “Don’t Shut ‘Em Down”, a radio-friendly (in the most grievous usage of the word), punk-pop catastrophe that throws me all off-kilter. It sounds absolutely, positively, undeniably, NOTHING like Dave King. It’s actually a little frightening when you’re not expecting it. Coming in a close second for the worst song is “Heart of the Sea”, a weird, pseudo folk-inspired track with almost indescribably bad lyrics. Seriously, “don’t fornicate with the one you love to hate”? I’m disappointed in you Flogging Molly. For every listen of those songs, though, I also get a slew of good ones. Trading in their tales of being “seven (drunken) pirates, they’ve gone for a more mature and modern approach, giving us tracks like “Revolution”, their take on the economical issue, whose chorus is worthy of chanting fans worldwide and “The Power’s Out”, in a similar vein as “Revolution” on subject matter, but a little more home-grown with King singing about Detroit and the fat-cat CEOs with their bottomless greed. It’s got a lo-fi, blues aspect to it and this is one of the very few times where you will see me refer to something as “lo-fi” and not following it up with “pretentious”. Perhaps it’s was the move from sunny LA to, well, Detroit. What can you really praise in Detroit besides (and, god, I hate to say it) hockey?

The shining example of classic Flogging Molly is nestled right in the middle of all this mayhem. “So Sail On”, with its harmonized chorus, classic fiddle, and feeling of traditional Ireland, this is what I think of when I think of Flogging Molly. Despite all of those heavy, punky, hard tracks, this is what the band does best. Another delightful unexpected track on the album is “A Prayer for Me In Silence” with a rare Bridget Reagan lead. Well, I suppose it’s a duet, but she really takes the cake for this one.

The album does have a balanced mix of the usual traditional Irish-inspired songs, slow tracks, and upbeat, punky numbers, the latter of which is the only vein in which they fall flat. Perhaps it’s my love for the band speaking, but it’s a pretty good album when all is said and done. I was more disappointed in my first listening, but upon repeated listenings, it’s beginning to sound more and more like the Flogging Molly I’ve come to know and love. It gets a B.

Check it out for yourself, streaming for free over on their Myspace. You can also check out all the latest news over on their site, Facebook, or Twitter.

“Speed of Darkness”

“Revolution”

“A Prayer For Me In Silence”



et cetera
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